Wrapping Up Third and Long: Editing, Continuity, and Crafting the Keegan We Know Today
Wrapping Up Third and Long : Editing, Continuity, and Crafting the Keegan We Know Today Let me tell you something about editing: it’s a game of chicken between you and your manuscript. You sit there, coffee in hand (or whiskey, let’s not pretend we’re all virtuous here), daring the words to blink first. With Third and Long , I stared into the abyss of Detective John Keegan’s third retro outing and, let’s just say, the abyss gave me plenty to work with. This book, more than any before it, is about becoming . It’s the story of a younger Keegan navigating the messy road to becoming the detective we know today. But here’s the catch: when you’re writing someone’s "origin story," you’re walking a tightrope. How do you make the rookie version of a beloved character feel fresh, while still leaving breadcrumbs for the readers who know his future? Oh, and let’s not forget the continuity errors. Those little gremlins lurk in every draft, waiting for the sharp-eyed reader to pounce. Ch...